Just off the bottom of the photo is the river and the remains of buildings being excavated in the foreground are the wharves for the stock being traded in the great hall.There are very few extant houses left in the country (or indeed anywhere on the planet) from pre-Tudor times. Of course, in Norwich we have the Castle and the Cathedral which were begun 150 years earlier, two years after the Norman Conquest, but virtually no timber buildings survive in Britain from this period, and only one house; this one. The Jew's House on Steep Hill in Lincoln and The Music House a few doors along King Street in Norwich are both slightly older but are built of stone and very little of their interiors remain original.
Here in the cellar is part of the archæological dig left as an exhibit, showing the post holes of an earlier house on the site from around 975 A.D.
The brick undercroft, like so many in Norwich (and we have over a hundred beautifully preserved) dates from around 1200AD, but whereas most of the houses that now sit above those undercrofts date from the 1400s to the 1700s, this one was built in around 1220 and remains substantially unchanged.The main changes came around 1400, when local merchant Robert Toppe bought the building and converted part of the great hall to a trading floor.
Norwich was then the richest city in the country, thanks to the wool trade. Worsted is just up the river and supplied English cloth to the the known world. At the mouth of the river sits Great Yarmouth, then a major herring port and just across the North Sea the cloth merchants of Amsterdam.
Toppe was an astute merchant and this house became the entrepôt for the English cloth trade, making him and his Guild Of Saint George obscenely wealthy.In the aerial photo you can see the huge arcade he installed at the rear of the house and this is the same arcade seen today, with a protective glasshouse installed.
This is the same arcade from the inside.From this room, English worsted cloth was carried down to barges and out across the North Sea to Holland and south to the ports of the Mediterranean.
Toppe divided the great hall in two. The further end in this photo is his domestic living quarters and the near end the trading hall.The magnificent crown post roof is from the original great hall of 1220.
When Toppe had made enough money to buy himself and his children into the gentry with vast country estates, he sold off the trading house and over the next two hundred years it declined until, in the early 1600s his house became the Three Merry Wherrymen Inn (later, in the 18th century becoming The Old Barge Inn) and the trading hall was divided up into a series of smaller houses.The great hall had an additional floor installed at the level of the transom halfway up this window, which was still in place when I visited the dig in '79.

This panel has been left in place to show the original wattle and daub infilling to the walls and some scraps of Tudor rose wallpaper, probably from Victorian times, when the top floor was domestic bedrooms.
Here you can see the marvellous carving that had just been uncovered from its hiding place within a bedroom wall when I first came here, and what gives the house its present name of Dragon Hall.
Toppe was the leading member of the merchants' Guild Of Saint George and this was his - and their - symbol.

He inserted this beautiful carving into the roof bracket just above the entrance to the great hall and it was somehow built over in the 1600s and not discovered again until 1979.

This dragon on Saint Ethelbert's gate at the top of Cathedral Close celebrates his and his guild's munificence in funding the building of the gate after the townspeople stormed and burned the Cathedral's monastic buildings in protest at Norman taxes.
Toppe, being an Englishman who had risen to power under the Normans would have been keen to appease the Plantaganet Norman King but proud enough to assert his own power as an Englishman on the new monument.
So that's the oldest surviving timber dwelling house left to us.
Norwich has a vast treasury of early mediæval houses, from the earlier but stone-built Music House, just along King Street, to the fabulous Stranger's Hall, a vast Elizabethan house that's now a museum. And indeed many others that I may well wander into on my travels.
The city was ridiculously rich in the pre-Tudor period, rivalled only by Venice, but with the opening up of the cloth trade its fortunes gradually declined after the reign of Elizabeth the First and - due to its isolation behind the fens - it was ignored and remained untouched and unchanged for centuries, which has left us with a fantastic treasury of original mediæval buildings.
Even though a disastrous "slum clearance" policy in the 1930s and Nazi bombing a few years later deprived us of perhaps seventy percent of the best examples in the city it still has one of the finest stocks of beautiful mediæval buildings anywhere.
16 comments:
What an amazing building, Dive, truly captivating pictures you have shown us. I can't wait to see how it develops, now that it is in safe hands once more.
Great building with a great history, Dive. And to your comment in the previous post, I think we all love history and buildings, and we're totally captivated by all you've been showing us. Shall we call it "building porn" now??
Love the dragons, being from a dragon kingdom myself. Still waiting to go inside, though!
Just imagine living there, Dive.
Thank you for a wonderful history lesson along the fabulous photos. How sad to see/hear how things were passed up and neglected for so long. Once he was gentry he did not want to be a proprietor and have it in the family for centuries. Odd.
Now, let's see inside. :) Hope you are having a good week.
I can't imagine covering up something like the dragon carving to put in a bedroom. Wouldn't you want to preserver history and show it off instead of burying it in the walls?
Great tour, as always.
Sorry to disappoint, folks, but that WAS the inside!
An all original house dating from 1220 may not be spectacular to most people but it is (as Utsav points out) pure porn for me.
As for living there, Lynn: I lived for several years in a beautiful big old fifteenth century timber framed house (an ex brew house from a mediæval nunnery)and while these places are lovely to look at they are a nightmare to live in.
Cold, draughty, slopey-floored, hugely expensive to maintain and full of beams at just the right height to crater my forehead (I learned to walk with a stoop but still cracked my head open on a regular basis).
So no thanks to that one!
Robyn, I imagine that the sixteenth century landlord was far more interested in how many rooms he could cram into the place than some wonky old carving. Just as well as it got preserved beautifully.
Err, oh.. *stupidly trying to find something smart to say*
I thought it had a section where something had been done to it or something. But no, it is amazing- a 13th century building for the most part untampered with.
Although, I wonder at the image of you in a college class. Hmmm.
Utsav is right - building porn.
Those timber arches are just the ticket.
mmmm. Yes please.
he he Dive i used to have a beautiful 17th century home with all the beams etc. Yes there were bills for repair but oh how i adored it and oh how i miss it! I don't miss the spiders though.
In fact, it's here Dive, you may be interested. It's for sale again now (not from me, i no longer live there sadly).
I tried to link it but it didn't work. Here it is
www.barringtonandco.com/details_sale.cfm?id=barm999000267
Although i think it still looks nice, the present owners have done a lot of 'work'. Knocked down quite a few walls by the sound of it (it was 5 beds with large study and extra bathroom. Not shown there is the back of the house space and the top floor. Why can't people leave buildings alone apart from essential stuff? Shame.
Oooh! That's really pretty, Lynn!
I'm with you in that people who want a modern, four-bedroomed house should buy a modern, four-bedroomed house and NOT buy a period property and knock out walls and change windows and generally wreck the place to make it how they want it.
That's pure vandalism and a good case for the re-introduction of some of the messier mediæval tortures and punishments.
Utsav: I was a student in the late seventies and you should be as glad as I am that there are no surviving photographs.
Kate: It is rather cute, isn't it?
I'd love to see the 15th c. house you had, next time you're crawling through the loft?
Ming The Menstrual burned just about all of my photos, Lynn, but I'm sure I can track down one of that place next time I clean out the loft.
Now you've done it, dive. I've got to see Norwich one of these days. some excellent photos with lots of detail to go with them. thanks dive!!
As always, fascinating. I want to walk through those someday.
Post a Comment