Saturday, January 30, 2010

Hokay, Which Dumbass Ordered More Snow?

I've had enough of winter.
I got back from London last night to discover some bastard had dumped yet another load of ice and snow over Norfolk.

This was the village a few minutes ago.
Tis the season for silly hats and sunglasses.
Tis also fucking cold. Brr!

This was my winter jasmine, living up to its name when I got home last night (after much slithering and sliding; nobody bothered to grit the roads … again).

Tis NOT the season for driving.

Norwich only got a light dusting of snow, but it was enough to ensure people stayed away so we got the pick of the best comfy sofas for breakfast at Pret.

At least the low winter sun was nice.
This is the mediæval Guildhall, bathing in the morning glow.

Yeah, yeah. I know snow's pretty, but it can just bugger off to Norway or Minnesota or someplace where it's more welcome.
Roll on Spring.

Friday, January 29, 2010

500 Words XXIV - This Week's Sentence

This week's sentence is one for the bodice-rippers amongst you. Dip your quill in your inkstand and let fly with heaving-bosomed maidens and trouser-straining heroes and whatever other hyphenated characters might stew in your fervid imaginings.

The sentence is from George Eliot's 'Middlemarch'

It is:
'I suppose it would be unprofessional,' said Rosamond, dimpling.

The word 'dimpling' had me helpless on the floor laughing.

Indulge yourselves.

Thursday, January 28, 2010

500 Words XXIII - Story Time

This week’s sentence was taken from Alan Paton’s wonderful novel of apartheid-era South Africa, ‘Cry, The Beloved Country’.

It was:
‘Jarvis sat a long time smoking, he did not read any more.’

It seems to have stirred almost identical feelings in two of us (which probably just means we like old black and white movies too much), so settle in, film noir fans, and enjoy:

Lulu's 'Knowing'


Ah, what an opening chapter. I do love a good femme fatale and this one is a doozy.

Dive's 'Some Choices Are Not Really Choices'

Starring the identical venetian blinds featured in Lulu's story. Hee hee. Perhaps it's happening in the office next door.

Next week's sentence will be posted tomorrow. It's especially chosen for those who like simpering heroines in petticoats and wild-haired hunky rakes in tight trousers. Yikes!

Monday, January 25, 2010

WTF Mmmmmonday

Katie sent me this from the Colonies.

Mmmmm …

I shall have to add this to my pantry.
Colonial Kitchen 'Imitation Bacon Bits'?
Not just 'Imitation', but 'Artificially Flavored!'

My taste buds have fled the building,

If any of you have this hiding in your cupboards I would be most grateful to discover just what the ingredients might be.

Saturday, January 23, 2010

Lunch With Lucio

And so to the Tate for a long awaited meeting with international man of mystery, intellectual culture vulture and prince of erudition, Lucio.

Click on us. We get bigger!
And note the Turneresque light.
Entirely deliberate – Ha!

It turns out that not only is he devilishly handsome but also completely charming, utterly delightful company and great fun, too. I can't wait for our next meeting.
For any who may not know and are of an artistic temperament, Lucio's main blog is over here. It now features some lovely photographs from his recent European travels.

Anyhoo, when at the Tate one must look round, and look round we did (after enjoying lunch, which Lucio insisted on paying for, bless him).
First up is a big Hoorah! At last, after a two year absence, my favourite Millais paintings - Ophelia and Maryann - are once more hung together in the Pre-Raphaelite Gallery so we started there. You can get right up close to these paintings and wonder at their luminescence and detail. Millais painted them into thick wet white ground with a tiny sable brush and managed about a square inch a day.

The Tate is always swapping things around just to confuse me. Yesterday my favourite Bacon (Study For Three Figures At The Base Of A Crucifixion) was out on tour but there was plenty new to gawp at, including the BIG Hockneys in their own room. Well impressive!

The spooky Cholmondeley Sisters were there, bonkers and sad as ever. I always stop off to say hello to them. Also Robyn's infamous man with no trousers.

But the main reason we were there was the big 'Turner And The Masters' show.
Go see it. But more importantly, go see what they've done to fill the gaps taken by the paintings in the main show.
By removing all of the big early classical scenes from the Clore Gallery (the home of the Turner Collection) to put with the Titians and Canalettos et al in the big show, those lovely people at the Tate have unwittingly given us an even better show.
And it's FREE!

The Clore Gallery is currently filled with room after room of late and unfinished Turner masterworks; the insane, passionate orgasms of light that most ascribe to failing sight and galloping senile dementia.
A breathtaking display that is easily the best art exhibition anywhere on the planet this year.

Lucio and I were transfixed. We were like kids in a candy shop. Everywhere we looked was a masterpiece of colour and light: Turner at the pinnacle of his power. We stalked from room to room stopping to gasp in awe at the sheer numbers and mind-blowing intensity of emotion on display, getting increasingly worked up in our own passionate enthusiasm (lots of splendid arm-waving and expostulation - yay).

Whole months worth of glorious Turner sunsets are on display that have never been gathered together before. Getting up close and personal we were overwhelmed by the sheer insanity of his palette knife work. Lucio said that he was painting not light but luminescence and he was right. And Turner was painting it in a way that nobody had done before, or indeed since.
At the centre of a massive sunset, the very last stroke of one painting was the sun itself. We could see how carefully he had mixed the color; an intense custardy, egg-yolk yellow infused with tints of crimson; but then he had simply thrown it onto the canvas with one big splat of the palette knife. And it was perfect! Such passion, such confidence were awe-inspiring. And to paint this way in the 1830s, long before Monet seems amazing to us. Dozens of mad, bright, brilliant canvases assailed us everywhere we looked.

One painting in particular I had never seen in the Clore or indeed anywhere else. Its combination of fine detail and unchained chaos gives the lie to theories that his later works were due to failing eyesight or the onset of madness. He could still paint in the classical style but he could also unleash himself in a frenzy of pure, undiluted passion.
It is a frankly astonishing painting.
Only a few years after Joseph Wright of Derby painted many a similar scene Turner let himself loose on the hellfires of the Industrial Revolution. The inside of an iron foundry at night, filled with BIG light and dark, massive contrasts of flame and deep shadow.
Down at the bottom right hand corner, taking up no more than a quarter of the painting, tiny, highly detailed figures of steelworkers huddle in the dark, dwarfed by mighty machinery, massive cogs and wheels churning and hammering in the darkness.
But where, in a Joseph Wright painting the crucible itself should be, in Turner's vision all Hell has broken loose … Dante's Inferno has come to life and leaps out of the canvas at us in an apocalyptic fiery furnace of coruscating light, molten steel, sparks and flame.
After such careful and lifelike rendering of the tiny figures cowering in the corner, the rest of that mad, incredible painting looks for all the world as if Turner has attacked the canvas with fistsful of lead white, chrome yellow and cadmium red, hurling great wads of thick impasto, shards of light, explosions of blinding colour at the surface before diving in there himself to attack it in a thrashing frenzy of intense screaming passion, a desperate fight to the death to render light and colour more intensely than the eye can ever see; smearing the glistening oils, slashing and stabbing with palette knife, clawing with fingers and nails (you can still see every mark), shrieking, possesed by madness and desire until at last collapsing, sated, gasping and spent on the floor beneath what is inalienably, even today, a shocking, daring, modern and completely fucking bonkers masterpiece.
Of course I could be wrong, but that's how it looks like he painted it.

I'm going back on Monday to see it again. Woohoo!

And that is only one of dozens of astonishing canvases on display. They won't be there much longer; when the big exhibition is over they'll be hidden away in the basement once more. Maybe in a decade or two, if someone has the vision and the money, such a glorious display of late Turners will be put together in a big, blockbuster exhibition. But don't wait up. It is there right now and it is free! Both Lucio and myself were privileged to catch such a magnificent moment. You'd be mad to miss it yourself.

So steal, maim, kill if you have to but get there!

Toodle Pip!

Friday, January 22, 2010

500 Words XXIII - This Week's Sentence

This week’s sentence is taken from Alan Paton’s wonderful novel of apartheid-era South Africa, ‘Cry, The Beloved Country’.

It is:
‘Jarvis sat a long time smoking, he did not read any more.’

Let us know why.
The usual rules apply.

Oh, and sticking to our literary theme, this reminder of the perils of incorrect spelling appeared on Engrish.com this morning.
I do enjoy the cute way that Japanese folk will wear any old crap as long as it has some English writing on it (the same way that I will wear any old crap as long as it has Japanese writing on it); the difference being that I can read Japanese whereas most Japanese appear to neither know nor care what English words are written on their clothing.
My favourite can be found in the archives of www.engrish.com and shows a sweet little toddler wearing a teeshirt emblazoned with the phrase 'Fuck Off!'

This young lady seems inordinately pleased with her own message. It's just a shame that the consistency of spelling is about as sloppy as the consistency of the message.
They got 'diarrhœa' almost right (they forgot the ligature), but 'feces' for 'fæces' is straight out of Webster, which is indeed shitty.

Thursday, January 21, 2010

500 Words XXII - Story Time

Woohoo!
A nice clutch of stories this week. Enough to last you through several coffee breaks.
So settle in, take that delicious first sip into your mouth, feel the caffeine hit the spot and let us tell you a story or two.

This week's sentence was taken from John Steinbeck's 'Cannery Row.'

It was:
'It was not so interesting driving at night.'

No more ado; here are this week's tales:

Vanda's 'Trabant Chronicles'


A first for 500 Words: a non-fiction piece. And what a wonderful treat it is.
A delicious reminiscence of the delights of childhood stolen from under the glare of Soviet dictatorship, and featuring one of the most truly bizarre and lovable cars ever made.
Thank you, Vanda. More, please!

Todd's 'Sign Of Anger'


Ah, the wonderful and very weird mind of our Todd. He has such a talent for coming up with the unexpected angle and this one's a doozy.
I love the hero of the tale. This one will make your next drive an altogether stranger experience.

Lulu's 'I-635 LBJ Freeway'

The return of a favourite duo from stories past: that delightfully odd couple, Lulu and Lola. This time they're out on the freeway with a friend. Come and join them.
Gentle, real and lovely writing.

Dive's 'Things Become Interesting For Otto'


I love driving long distances at night, but it does tend to bring on a certain dislocation from reality.
Otto doesn't find it very interesting as a rule.

Monday, January 18, 2010

WTF Monday - Marxist Motoring Special

In honour of Vanda posting a delightful reminiscence (and awesome photo) of her father's lime green Trabant car (yay), the Eastern Bloc's finest motoring moment, today's WTF Monday will become Marxist Motoring Monday.

Way back in the dinosaur-infested mists of the cretaceous period when I was but a student, most of my lefty friends aspired to a Citrœn 2CV, or the Dursh as it was known (short for deux chevaux after its mighty 2 horsepower engine).
However, Western Europe's most left wing automobile was not commie enough for Young Dive the Marxist so I found myself with Norfolk's only Moskvich.

Woohoo! What an awesome car that was!

This is it (I only have 2 photos and I'm afraid both of those also feature Ming The Menstrual who I had just rather foolishly started dating, so ignore her ass and check out the glamorous vehicle of the proletariat).
The house unfortunately wasn't mine, just something I was helping a friend renovate.
But the car WAS mine and I loved it.

The mutant offspring of an illicit liaison between an old Austin Cambridge and a military truck, and built of leftover tank and tractor parts (at least it felt that way), the Moskvich was Moscow's answer to the Capitalist car giants. Not much of an answer if truth be told, but for left wing student cachet it was unbeatable. A sexy, sizzling, Soviet girl-magnet. Stop giggling!

My own Mozzie came souped with a 1.5litre rally-tuned engine with Weber twin carbs and a big chrome intake which meant it went like stink from a standing start but only got around 15 mpg.
Way too fast for its own good, it also rolled like a drunken cow on corners, thanks to the agricultural suspension. That spectacularly dangerous, blancmange-like handling, combined with brakes made from papier maché made it hugely entertaining to drive, especially on our twisty local roads.

The dashboard was from a Ford Edsel. The Russians bought up all the scrap Edsel parts that Ford couldn't sell anywhere else and I must confess it was kinda stylish inside in a very 1950s way.
Other oddities included a lever under the dash which operated an iron snow blind covering the radiator in case I wanted to start it up in Siberia, a bizarre security-locked ignition that had to be undone like a safe and some delightful little Art Deco theatre lights in the back which made rather romantic mood lighting for … ahem.

I drove it for ages and eventually sold it on (at a profit that would have shamed old Marx) to a Socialist friend who had a 2CV but craved more commie cred.

Sheesh!
If there are any more old crappy car stories out there in Blogville I think they should be told.

Friday, January 15, 2010

500 Words XXII - This Week's Sentence

This week's sentence is taken from John Steinbeck's 'Cannery Row.'

It is:
'It was not so interesting driving at night.'

If you have any idea why that might be, weave us a tale and reveal all.
You know the rules.
Have fun.

Thursday, January 14, 2010

500 Words XXI - Story Time

Brew up a coffee, sit yourself down for a few minutes and get comfy. It's story time.

This week's sentence was taken from Garrison Keillor's 'Radio Romance'.

It was:
'So what happened to Hoyt Buford?'

Dive's 'Lines On The 75th. Birthday Of Elvis Aaron Presley'

A muddled mélange of musician's memories. A story of real people from long, long ago distorted by the twisted and murky lenses of time and forgetfulness into a kind of truth only recognised in fiction and shabby dressing rooms.

Any other stories will be posted as they come in.
Next week's sentence tomorrow now that I'm back on my post-holiday schedule.


Update time!
Lulu has brought little Davey back to us in a delightful story:

Lulu's 'Bare Bear'

I think we've all had a friend like Bare Bear. I wish I still did.

Monday, January 11, 2010

WTF Monday


Dontcha just love the menu boards in Chinese herbal medicine shops?
It's the 'all ages' bit that creeps me out.

And don't get your sex drive capsules confused with your eczema capsules.
Icky!

Sunday, January 10, 2010

This Fucking Sucks

This is the BBC weather satellite's pic of our green and pleasant land.
That's me, at the end of the arrow, waving at you from under the snowstorm.
Click on it to enlarge it and you'll be able to make out Lynn over in the West Country.

My front lawn.
I think the mower can stay in the garage for a while.

At least Fern's having a good time.

Fuck, fuck, fuckity fucking fuck.
I have to commute to London in this shit.
Roll on spring.

Friday, January 08, 2010

500 Words XXI - This Week's Sentence

Yikes!
I have been remiss. What with all the relaxation and life spent away from the computer over the holidays and then the fun of commuting in the snow I forgot to set a 500 Words sentence last week.
Not that anyone has complained, so I'll quietly sneak back in and carry on as if nothing has happened and hope that you didn't notice.

This week's sentence is taken from Garrison Keillor's 'Radio Romance'.

It is:
'So what happened to Hoyt Buford?'

As for myself, I have no idea what happened to Hoyt Buford yet*, but I'll get back to you later. Of course if any of you can shed any light on what happened to him (in 500 words, of course) I'll post your stories next Thursday as usual.

* Okay, I tell a lie. I DO know what happened to him, at least in 'Radio Romance.' The next line is: 'Reverend Odom shrugged.'What happens to anybody when twenty pounds of cow manure falls on them from a height?'
But you're not allowed to use that, so it's up to you what happens to him. Have fun deciding his fate.

Tuesday, January 05, 2010

Loving The Ligature

Katie raised an interesting point in yesterday's comments box.
Well, interesting to me, though very probably mind-numbingly boring to the rest of you.
She said, 'I can't get over the British spelling of haemorrhoids though. Do you pronounce it haymer-hoids?'

Now, putting aside my unjustifiably piqued curiosity about (Heaven forfend!) any possible hæmorrhoidal fascination on Katie's part (OW! I felt that all the way from Berkeley), it has been a goodly long while since I last spuffled and blathered rantily about language and the abomination of Websterism, but it's a new year so let's start it as I mean to go on by offending people (well, Americans anyway, in revenge for Katie's translation of IBS as Irritable British Syndrome … hee hee) in my usual patronising and pedantic fashion.
Listen up: it's time to talk ligatures and diphthongs.

Quite apart from the fact that I have never been able to say the deliciously lippy and tongue-tastic word 'diphthong' without grinning, diphtongs (grin) and more specifically the lovely ligatures have long held a perverse and needlessly pedantic fascination for me.
If anyone's unsure, a diphthong is what happens when vowels cuddle up next to one another and a ligature occurs when things get out of hand and they fetch the bondage ropes and get a serious snuggle on.

Anyhoo … Ligatures:
For a start, I've always thought they look beautiful. Derived from Latin calligraphy the Æ and Œ ligatures are exceedingly sexy, especially when written in the late Roman uncial form.

But mostly it was the Cæsar/Kaiser thang that first grabbed my attention and made me aware of the ligature, way back in the mists of time when I was but a swotty little pimple-faced grammar school boy sitting in Latin class.
Such was the power of the ligature that it startled me into paying attention in class, wresting my adolescent mind - albeit temporarily - away from its musings on the strangely swelling bumps lately adorning the chest of the girl who lived down the road.

It was old Mr. Abbot, the fusty Latin Master who, during our very first Latin lesson invited guffaws of ridicule by declaring that Julius Cæsar should probably more correctly be pronounced Youlius Keezar.
Okay, so he backed it up with enough hard evidence to convince us that the Roman 'C' was a 'hard C' and that 'J' only came along much later and wasn't fully accepted until the 18th Century, but it still left poor Goldsmith, our token Jewish kid with several weeks of You-ish jokes to contend with.

Yet it was not the 'J' and the 'C' that lodged themselves in my brain and set me along the road to linguistic insanity, but the Æ ligature itself.
In defence of my pedantry please take into account that an upper-sixth former in the school I attended attained quite correctly the rank of 'Præfect' as opposed to 'Prefect' which was a type of Ford car.
I remember discussing the ligature thing with old Abbot a few years later - after I had discovered what ladybumps were and had endured five years of compulsory Latin - such were the diverse joys of English puberty in my day.
It seems that over a few hundred years, during the successive waves of Visigothic, Hunnish, Vandal, Ostrogothic, Teutonic, Lombard and Frankish invasions of the wretched corpse of the Roman Empire the ligature and the hard 'C' went their separate ways: the Hunnish and Teutonic languages of the Eastern half of Europe carried off the hard 'C' and the Frankish and Romance languages of Western Europe got custody of the ligature.
The result being the German 'Kaiser' (Roman hard 'C' and phonetically mispronounced digraph replacing the ligature) and the English 'Cæsar' (incorrect Romance soft 'C' and classically pronounced ligature) for the same word, neither of which Cæsar (Keezar) himself would have recognised unless he was very drunk.

Things stayed pretty much that way in the tiny and esoteric world of the ligature for over a thousand years (except in Scandinavia, where they have their own highly idiosyncratic set of rules for ligatures, along with everything else in life); English and German speakers knew where they stood, and as long as there were no Norwegians in the room everybody could pretty much guess what was being said.
Then - inevitably - some idiot sailed across the Atlantic, along came the US of A and it all ended in tears.

Millions of Europeans, with their wildly different pronunciations of the same letters, joined Russians, Africans and Asians in a race to empty the New World of its rightful peoples and replace them with what turned out to be a complete linguistic fuck-up unparalleled in history.
And into this mess rode my arch nemesis, Noah smegging Webster.

Yes, I'll admit that when you have a nation of several million illiterates from dozens of different countries and decide upon one official language it is a good idea to get them started speaking that language with some simplified spellings, especially with a language as rich and complex as English.
But for fuck's sake, as soon as they have a basic grasp of the language, teach it properly!

These days there is no excuse whatsoever (I don't count wilful ignorance as an excuse) for using Webster's simplified spellings.
'Pedophile'? What the fuck's that? Break the Webster version of the word down into its Classical roots and it means someone who likes feet!
Which is wrong to a quite hideous degree.
The word is 'pædophile.' Simplify it and the meaning is lost.
Use the ligature! Same goes for hæmorrhoids and diarrhœa, encyclopædia and œstrogen, æsthetics and œuvre.
Simplified spelling robs words of their meanings, reducing them to little more than random abstract symbols.
When it comes to ligatures, if you're too lazy to hit the 'alt' button on your Mac, at least use the ae and oe digraphs instead (as did the morons who made the signs for Boots the Chemist in yesterday's post). But never dispense with them altogether: 'encyclopedia' is ugly and horribly wrong, 'encyclopaedia' is inelegant and lazy, but 'encyclopædia' is sexy and cool.
And correct.

I know I keep harping on about Webster, but there are far more English speakers in the British Commonwealth and the world at large than there are in the USA and if we can spell correctly then people in the US can learn, too. Simplified spelling is for simpletons. Stop it. Now!
Websterism served its purpose 150 years ago but it is now as obsolete and worthless as the muzzle-loading flintlocks and wagon trains and smallpox-infected blankets that were its contemporaries.
I know it would cost money to change it after all this time and I know you really can't be bothered but mule-headedly sticking to a simplified and dumbed-down version of one of the world's richest and most eloquently expressive languages not only debases English but it makes Americans look lazy and dim. Sticking stubbornly with simplistic and inarticulate Websterism smacks of the thuggish, redneck, Joe Sixpack attitude that says intelligence is BAD (duh) and ignorance bliss, that showing culture and sophistication means you're unAmerican. It smacks frankly of dumb fucks with guns, scared shitless of being thought smart. Sorry, guys, but that's the view from the outside world.

If you can't give up your precious Webster at least make a start in the right direction and use the ligatures. Please. If you don't wish to adhere to historical precedence then use them because they are beautiful (æsthetically pleasing, if you will).
Do try to pronounce them correctly, too (a stressed and elongated 'ee'). If you're going to profess to speak and write in English, learning the language would be a good place to start.

Toodle Pip!

Your Pedantic Pal,
D.

Monday, January 04, 2010

WTF Monday


Phil spotted this one.
He said "Shopping can be a real pain in the ass."

I must confess that none of those things are on the top of my shopping list. I mean who in their right minds would shop for diarrhœa? Sheesh!

Friday, January 01, 2010

What's Cooking With Dive? - Heart Attack Pasta Sauce

Afraid you might not be able to stick to a diet after all the overindulgence of the holidays?
Well whoop-de-doo, it's a whole new year so I say fuck diets!
Start 2010 as you mean to go on: by heading right around the other way, straight through those glistening, lard-dripping, shimmery Pearly Gates of Fat Heaven with Old Dive's übercheesy, thick'n'creamy pasta sauce.
If you're going to choke your arteries to death, at least do it in style!

As part of my Christmas prezzies Phil got me the complete Sopranos DVD box set (not being a TV person I'd missed it when it came out) so I've been talking like a wise-guy and cooking Italian ever since.
To save myself from drowning in passata I'm switching to cream today.
Lots of cream.

Hokay, team, get your pinnies on and let's head for the kitchen and make something suicidally artery-clogging!

Just as there are a million stories in the Naked City, there are a million creamy pasta sauces. This is one of my favourites; simple, quick and deadly.

You'll want (all organic, of course, and all local or home-made apart from the Italian cheeses and pancetta, which should always be the good stuff … hassle your local shops to get it):

- Pasta of some description. I'm using my own home-made pig-fat tortellini (for the heart-stoppingly calorific recipe see here);
- onion or shallotts;
- garlic and lots of it;
- single cream; gallons of the stuff;
- mascarpone, ditto;
- Cheddar;
- Pecorino;
- Parmesan;
- Smoked pancetta, cut into ickle cubes;
- Herbs and stuff.
- A defibrillator, fully charged up.

Right-ho, here we go!

Boil some water (unsalted; salt makes everything taste of salt - blech) ready for the pasta, which should take four minutes once the water's bubbling.

In whatever pan you have to hand heat the cubes of pancetta until they begin to get a leetle crispy, say five minutes or so.
As always, ensure it's organic or you'll get about half a pint of greasy water leak out of it (they add it to agri-chemical intensive factory 'meat' to add weight; buying non-organic meat means paying for about 20% water and means your pancetta will boil rather than fry, which is deeply, deeply unpleasant).

Add your chopped onion and garlic and turn the heat right down for a few more minutes until it all softens and the fat from the pancetta makes you slaver down your pinnie.
Oh, yeah; another quick reminder. Fat is where meat gets its taste; lean meat is simply an exercise in chewing.

When that's gloriously glistening, stir in a goodly amount of luscious single cream, a couple of massive slippery wodges of mascarpone and a scrumptiously stinky heap of finely grated cheddar, pecorino and parmesan.

Do NOT turn up the heat!
Add the ingredients slowly and sensually, swirling your spatula in slinky circles and letting things heat up from their own sexual chemistry. This sauce should be only palate-hot, gently warmed through on your lowest heat.

While we're getting all unnecessary, add some olives, basil, oregano, flat parsley and black pepper and check on your pasta; it should be almost ready.

All that remains to do is add the pasta to the sauce, swirl it around a couple of times, plate it up with plenty of parmesan on the side, grab a spoon and call for an ambulance.
You're gonna need one.

Enjoy!