Just a quick post for Utsav, as he has been coveting his neighbour's axe …

Click on it for a bigger picture, Utsav.
Photos taken this lunchtime in the studio. Please excuse the dust and grime; it's a working guitar.
Right, Here's the boring stuff:
PRS 44115; Custom built for Dive:
Brazilian mahogany body, Michigan "big leaf" maple top in vintage cherry sunburst; Brazilian rosewood neck.
On stage, it goes through a Mesa Heartbreaker (Boogie's 25th anniversary special).
It sounds so beautiful it tears lumps out of my soul whenever I play it.
That's the signed access plate from the back. They gave me a plain one to replace it as the guitar was ordered "to be played". PRS have 250 Brazilian rosewood neck blanks; mine is the 67th they've used. It's old, pre C.I.T.E.S. wood. When it's gone, there'll be no more.Ordered in June, 1999 after much discussion about materials and finishes, it's dated 11/23/99, was delivered in December, 1999 and has had extremely heavy stage and studio use ever since.
I went for a mellow, wide flame-top to give the same feel as my old Les Paul, rather than the extreme and - in my opinion - tacky, over the top figuring the collectors go for.
Talking of whom, I cannot understand collectors who order a musical instrument then keep it locked in a bank vault. I hope they run screaming at the sight of all the wear and tear on this one (notice how I've knackered the gold plating).
This is the most responsive and frankly astonishing guitar I've ever played; and that includes lots of vintage Gibson's and Fenders - including my own - and a fair few Private Stock PRSs (which are never usually played and so don't develop the character that this one has).
I still love my old Les Paul more, but whenever I strap this one on; boy what a feeling.
Now wash your hands …